The 96th Academy Awards is just around the corner, and the race for the Best Animated Feature is heating up. According to IndieWire’s predictions, the top contenders for the award are “Spider-Man: Across the Spider-Verse,” “The Boy and the Heron,” “Elemental,” “Wish,” and “Nimona”. While “Spider-Man: Across the Spider-Verse” is the overwhelming favorite to win the award, the other films are also strong contenders.
While Sony’s “Spider-Man: Across the Spider-Verse” stands as the favored Oscar winner, other contenders in the race include “Wish,” despite mixed reviews and a modest box office start, it shines with captivating 2D/CG animation and a memorable Disney villain in Chris Pine’s King Magnifico. “The Boy and the Heron” skillfully narrates Miyazaki’s intimate tale, showcasing some of his finest animation and world-building. Pixar’s inaugural love story, “Elemental,” innovates with simulated character animation, finding international success and a home on Disney+ after a domestic box office setback. Netflix’s dark horse, “Nimona” adapts ND Stevenson’s bestselling LGBTQ graphic novel, portraying the story of an oppressed shape-shifting teen in a futuristic medieval world.
Yet, beyond “Across the Spider-Verse” and likely “The Boy and the Heron,” the remaining three slots remain highly unpredictable. This uncertainty opens the door for hopefuls such as “Chicken Run,” “Teenage Mutant Ninja Turtles: Mutant Mayhem” (Nickelodeon/Paramount), “The Peasants,” “Migration,” and even the potential blockbuster “The Super Mario Bros. Movie” (Illumination/Universal).
Spider-Man: Across the Spider-Verse” outperformed its Oscar-winning predecessor at the box office, raking in $381 million domestically and $689 million globally. The film elevated its narrative scope and animated technological advancements under the guidance of producers Phil Lord and Chris Miller, along with new directors Joaquim Dos Santos (“The Legend of Korra”), Kemp Powers (co-director of “Soul”), and Justin K. Thompson (production designer of “Into the Spider-Verse”). This creative team propelled Miles Morales (Shameik Moore) and Spider-Gwen (Hailee Steinfeld) into diverse dimensions to confront the villain Spot (Jason Schwartzman). The battlegrounds included Gwen’s watercolor realm and the India-inspired Mumbattan. Sony Pictures Imageworks pioneered inventive tools to seamlessly translate intricate 2D stylization into 3D, introducing new systems for pencil, pen and ink, markers, and paintbrushes.
In “Wish” the tale of the wishing star unfolds by seamlessly blending historical and contemporary elements, paying homage to Walt Disney’s commitment to realizing aspirations. Jennifer Lee, Disney’s chief creative officer and the scriptwriter for this musical fantasy, collaborates once again with her “Frozen” colleagues: producer Peter Del Vecho and director Chris Buck. Joining them is newcomer director Fawn Veerasunthorn, formerly the head of story for “Raya and the Last Dragon” The story revolves around Asha (Ariana DeBose), a 17-year-old idealist embodying a modern Disney heroine with a social conscience. She endeavors to fulfill the wishes of her medieval kingdom, Rosas, ensnared by the Sorcerer King Magnifico. Guided by Star, an inexhaustible energy force inspired by Mickey Mouse, Asha embarks on her quest. Overseeing the production’s visual aesthetics, Michael Giaimo (“Frozen”) orchestrates a 2D-looking watercolor style reminiscent of early Disney fairy tales, brought to life by CG artists who contribute to the fresh appearance. Grammy-nominated Julia Michaels adds a contemporary touch with seven original songs, while Dave Metzger composes the score.
One of the most exciting trends in the world of animation is the growing popularity of anime. In recent years, anime has become increasingly popular in the West, and it’s not hard to see why. Anime is known for its stunning visuals, complex characters, and compelling storylines. It’s a genre that has something for everyone, from action-packed adventures to heartwarming dramas.
So, which anime films are in the running for the Best Animated Feature award? Unfortunately, none of the films on IndieWire’s list are anime. However, that doesn’t mean that anime fans should despair. There are still plenty of great anime films to look forward to in the coming year.
One of the most highly anticipated anime films of 2024 is “Demon Slayer: Kimetsu no Yaiba the Movie: Mugen Train” The film is a continuation of the popular anime series “Demon Slayer: Kimetsu no Yaiba” which follows the adventures of a young boy named Tanjiro Kamado as he fights demons and tries to save his sister from a terrible curse. The film has already been a huge success in Japan, and it’s expected to be a hit with audiences around the world.
Another highly anticipated anime film poised to captivate audiences is “Belle” the latest cinematic masterpiece from the renowned director Mamoru Hosoda. This enchanting film narrates the compelling journey of Suzu, a young girl who transforms into a virtual pop star within the immersive realms of a digital world named “U.” “Belle” has garnered acclaim for its mesmerizing visuals, skillfully crafted animation and emotionally resonant storyline that promises to leave a lasting impact. The director’s adept storytelling and visionary approach ensure that “Belle” is not just a film but an immersive experience for anime enthusiasts. As it unfolds, the film invites viewers into a realm where the boundary between reality and the digital landscape blurs, offering a unique and thought-provoking perspective on the intertwining of technology and human emotions. With its visual splendor and heartfelt narrative, “Belle” stands poised to emerge as a cultural phenomenon, captivating the hearts of anime aficionados and leaving an indelible mark on the cinematic landscape.
While it’s disappointing that there are no anime films on IndieWire’s list of Best Animated Feature predictions, it’s clear that anime is a genre that is here to stay. With so many talented animators and storytellers working in the field, we can expect to see many more great anime films in the years to come.
